This site requires new users to accept that a small amount of member data is captured and held in an attempt to reduce spammers and to manage users. This site also uses cookies to ensure ease of use. In order to comply with new DPR regulations you are required to agree/disagree with this process. If you do not agree then please email the Admins using info@nikondslr.uk after requesting a new account. Thank you.

 Moderated by: chrisbet, Page:  First Page Previous Page  1  2  3  4  5  Next Page Last Page  
11 point focusing   -   Page   4
 Rate Topic 
AuthorPost



Posted: Mon May 25th, 2015 16:11
 
31st Post
Eric



Joined: Wed Apr 18th, 2012
Location: United Kingdom
Posts: 4572
Status: 
Offline
Robert wrote:
Well what convinced me was the first photograph I took with my new, ex-Eric Field D200 IR that I took when I got home from collecting it.

Using the 18-105 UV zoom from my D3100, I took a picture of the boat 'Oakdale' which featured in another thread hand held because I was just interested to see the IR effect in my own surroundings.

In the image when enlarged to 100% on my computer screen I can just make out the legs of some of the cows browsing in a field almost 4 miles away.

I didn't even see the cows when I took the photograph, although to be honest I didn't bother looking... Because I was photographing the boat and the hill behind.

If my camera can resolve that level of detail, I am more than happy.

It may of course be a result of the D200IR no longer having an anti-aliasing filter... I haven't bothered trying a comparative test against a standard D200 mainly because I am happy enough with the definition I get anyway, although perhaps if I am stuck for some amusement one fine day I will give it a go.


In fairness that was a b****y good D200.

:lol:



____________________
Eric
 




Posted: Mon May 25th, 2015 16:34
 
32nd Post
Robert



Joined: Sun Apr 1st, 2012
Location: South Lakeland, UK
Posts: 4066
Status: 
Offline
Eric wrote:

I just took some kitchen photos for a customer. ( yes I have retired but it was a series of 6 kitchens that should have been finished and done before April) The customer ( who makes and fits the kitchens) came back with an email saying "STUNNING IMAGES!". They were over the moon with the quality.

I thought they were average ...in fact ....part of me was already saying ” I've retired...so if they are no good, what the heck, they just won't ask me again...good!”

The point is ...taking images to meet an average albeit acceptable standard doesn't do us any favours.


I think you are perhaps too hard on yourself Eric, YOU probably feel you could have done better, and that is what keeps your standards as high as they are. Some jobs I have done are a complete codge, but the client has been over the moon. I don't see the point in striving for absolute perfection when it isn't necessary. When the need arrises then wheel out the perfection, otherwise near enough IS good enough.

Indeed, as far as image resolution is concerned I feel you can have too much detail in many photographs. I feel the absolute detail over the entire image is a bit of a distraction from the subject and the eye of the viewer, yes it's nice to see the texture of the plumage of a distant bird but we don't need to see each filament of the feathers.

I have seen some of the finest botanic drawings ever made, the detail is stunning, the interpretation so good but they were made with quite blunt pencils with a gross resolution and paint brushes comparatively broad, yet the artist made these blunt tools portray to 'perfection' their subject, with no ambiguity about what they had drawn and coloured.

What I am trying to say is the simple resolution is not as important as the execution of the work, the skill of the artist.

Your client who was stunned by your Kitchen photographs wasn't looking at the resolution, he was looking at your artistic product. That does not require infinite definition, in my opinion, just adequate for the job.



____________________
Robert.

 




Posted: Tue May 26th, 2015 04:03
 
33rd Post
Eric



Joined: Wed Apr 18th, 2012
Location: United Kingdom
Posts: 4572
Status: 
Offline
Robert wrote:
Eric wrote:

I just took some kitchen photos for a customer. ( yes I have retired but it was a series of 6 kitchens that should have been finished and done before April) The customer ( who makes and fits the kitchens) came back with an email saying "STUNNING IMAGES!". They were over the moon with the quality.

I thought they were average ...in fact ....part of me was already saying ” I've retired...so if they are no good, what the heck, they just won't ask me again...good!”

The point is ...taking images to meet an average albeit acceptable standard doesn't do us any favours.


I think you are perhaps too hard on yourself Eric, YOU probably feel you could have done better, and that is what keeps your standards as high as they are. Some jobs I have done are a complete codge, but the client has been over the moon. I don't see the point in striving for absolute perfection when it isn't necessary. When the need arrises then wheel out the perfection, otherwise near enough IS good enough.

Indeed, as far as image resolution is concerned I feel you can have too much detail in many photographs. I feel the absolute detail over the entire image is a bit of a distraction from the subject and the eye of the viewer, yes it's nice to see the texture of the plumage of a distant bird but we don't need to see each filament of the feathers.

I have seen some of the finest botanic drawings ever made, the detail is stunning, the interpretation so good but they were made with quite blunt pencils with a gross resolution and paint brushes comparatively broad, yet the artist made these blunt tools portray to 'perfection' their subject, with no ambiguity about what they had drawn and coloured.

What I am trying to say is the simple resolution is not as important as the execution of the work, the skill of the artist.

Your client who was stunned by your Kitchen photographs wasn't looking at the resolution, he was looking at your artistic product. That does not require infinite definition, in my opinion, just adequate for the job.


Well you may have a point or two there but my benchmark as far as bird photography is concerned is the clarity and definition of the whole bird. Most of the bird photos we have seen on here and elsewhere do not just have the eye sharp...the whole bird is within the zone of sharpness. It's fairly easy to lose the background when working with 800mm but less so if you only have 300mm and need to crop. Especially if the bird is sat on water. Lol Its also harder to keep the desired point of focus on the bird when it's twitching and moving erratically ...so a smaller aperture gives a margin for error.

But I suppose this is where the sophisticated dynamic focusing may play its part. If it is able to sense and compensate for those rapid movements then larger apertures may be equally successful in keeping key detail sharp. Having said that, there will still be a trade off in optical quality going wider.

o.O

On a personal note...I hate those artyfarty shallow dof pictures of things like meals ...where the front sprout is sharp but the rest of the meal is oof.
Can't see the point in restricting the viewers attention to a tiny part of the meal. It's ok for portraits where people's eyes are important and ears not so...but carrying that technique into other subjects is plain daft. IMHO.
Maybe. Coming from the commercial sector where the client want to show ALL the detail in the room, the installation, the machine...I have become locked into f8/f11 too much.

o.O



____________________
Eric
 




Posted: Wed May 27th, 2015 04:18
 
34th Post
Graham Whistler



Joined: Fri Apr 13th, 2012
Location: Fareham, United Kingdom
Posts: 1937
Status: 
Offline
Eric: I have become locked into f8/f11 too much.

I agree 100%. The good news is now with modern DSLRs and good results from higher ISOs you do not need to lust after serious money F2.8 premium long lenses. Like you I had a busy life as a commercial advertising photographer and a lot of time with big cameras needing f22 or f32! Some of my Large Elinchrom studio flash units are so powerful I can no longer use them with a modern DSLR.



____________________
Graham Whistler
 




Posted: Wed May 27th, 2015 12:55
 
35th Post
Eric



Joined: Wed Apr 18th, 2012
Location: United Kingdom
Posts: 4572
Status: 
Offline
Graham Whistler wrote:
The good news is now with modern DSLRs and good results from higher ISOs you do not need to lust after serious money F2.8 premium long lenses.

:sssshh:

Don't say that...I am currently selling off my pro gear and convincing people of the need for f2.8.

Just sent a lens to Poland of all places. I didn't think anyone was left in Poland?

:lol:



____________________
Eric
 




Posted: Sun Jun 21st, 2015 04:26
 
36th Post
Graham Whistler



Joined: Fri Apr 13th, 2012
Location: Fareham, United Kingdom
Posts: 1937
Status: 
Offline
I am at long last getting to grips with this auto focus and could kick myself for taking so long to get there. The main problem was finding out how to activate 11 or 51 etc points auto focus on the D810. Internet no real help and it was well hidden in Nikon D810 instruction book:

Page 90 has most of the info but having set camera on in Menus 51 point dynamic area AF (even tells you for birds!) I went down to Titchfield Haven Bird Reserve yeat again and did not do much better. I could not even seem to be able to get the 810 out of AF-S single servo AF mode (so easy to do on previous Nikon DSLRs)

Back to the drawing board and if all else fails read the instruction book yet again! Page 39 tells all!!!!!

The AF-M focus has a little button in middle when pressed in you can activate all the auto focus commands using front sub command dial and or rear main command dial.

I now go to reserve full of confidence of my new found ability to us my camera! Dull day but seemed to be working a bit better better. Perhaps the max f no on 80-400 lens of f5.6 is showing slight limitions of this lens in poor light compared with the much higher priced f2.8 lenses?

Two days ago fine weather. All working well and getting the picture I wanted at long last!!!

Avocets now with very newly hatched young! QED?

Attachment: Advoset1337.jpg (Downloaded 19 times)



____________________
Graham Whistler
 




Posted: Sun Jun 21st, 2015 11:21
 
37th Post
Eric



Joined: Wed Apr 18th, 2012
Location: United Kingdom
Posts: 4572
Status: 
Offline
Graham Whistler wrote:
I am at long last getting to grips with this auto focus and could kick myself for taking so long to get there. The main problem was finding out how to activate 11 or 51 etc points auto focus on the D810. Internet no real help and it was well hidden in Nikon D810 instruction book:

Page 90 has most of the info but having set camera on in Menus 51 point dynamic area AF (even tells you for birds!) I went down to Titchfield Haven Bird Reserve yeat again and did not do much better. I could not even seem to be able to get the 810 out of AF-S single servo AF mode (so easy to do on previous Nikon DSLRs)

Back to the drawing board and if all else fails read the instruction book yet again! Page 39 tells all!!!!!

The AF-M focus has a little button in middle when pressed in you can activate all the auto focus commands using front sub command dial and or rear main command dial.

I now go to reserve full of confidence of my new found ability to us my camera! Dull day but seemed to be working a bit better better. Perhaps the max f no on 80-400 lens of f5.6 is showing slight limitions of this lens in poor light compared with the much higher priced f2.8 lenses?

Two days ago fine weather. All working well and getting the picture I wanted at long last!!!

Avocets now with very newly hatched young! QED?


These manuals are a pain in the bum. We should all get a brain implant for each new camera....a usb socket behind the ear.
:lol:

Not sure the f2.8 lenses are the answer to wildlife. Most of the bird shots I see seem to have used smaller apertures ( even f8 ). If the light isn't there it's either ISO or go down the pub.
o.O



____________________
Eric
 




Posted: Sun Jun 21st, 2015 17:33
 
38th Post
Graham Whistler



Joined: Fri Apr 13th, 2012
Location: Fareham, United Kingdom
Posts: 1937
Status: 
Offline
This follows on from above picture of the Avocets with their new chicks all are taken with motor drive set to fast. Light good: f10 or f11, lens 640mm with 1.4 extender, 1/800 sec 320 ISO

A third younger bird joins the parents!

Attachment: Avocets1307.jpg (Downloaded 14 times)



____________________
Graham Whistler
 




Posted: Sun Jun 21st, 2015 17:35
 
39th Post
Graham Whistler



Joined: Fri Apr 13th, 2012
Location: Fareham, United Kingdom
Posts: 1937
Status: 
Offline
Mother shouts, father takes action!

Attachment: Avocets1305.jpg (Downloaded 14 times)



____________________
Graham Whistler
 




Posted: Sun Jun 21st, 2015 17:35
 
40th Post
Graham Whistler



Joined: Fri Apr 13th, 2012
Location: Fareham, United Kingdom
Posts: 1937
Status: 
Offline
Please go away!

Attachment: Avocets1304.jpg (Downloaded 14 times)



____________________
Graham Whistler
 

Reply
1st new
This is topic ID = 1188     Current time is 11:46 Page:  First Page Previous Page  1  2  3  4  5  Next Page Last Page    
Nikon DSLR Forums > Camera and Lens Forums > Lenses > 11 point focusing Top

Users viewing this topic

Post quick reply

Go to top
Go to end
Messages
Home
Recent topics
Unread posts
Last posts
Splash

Current theme is Modern editor



A small amount of member data is captured and held in an attempt to reduce spammers and to manage users. This site also uses cookies to ensure ease of use. In order to comply with new DPR regulations you are required to agree/disagree with this process. If you do not agree then please email the Admins using info@nikondslr.uk Thank you.


Hosted by Octarine Services

UltraBB 1.173 Copyright © 2008-2025 Data 1 Systems
Page processed in 0.0572 seconds (74% database + 26% PHP). 87 queries executed.