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 Moderated by: chrisbet, Page:  First Page Previous Page  1  2  3  4  5  6  7  8  ...  Next Page Last Page  
Film v digital   -   Page   3
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Posted: Tue Aug 18th, 2020 05:22
 
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Graham Whistler



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I agree with all that but it took two years hard savings to purchase that Rolleiflex and I took many of my early professional pixs with it until I could afford a Hasselblad. It is just a bit of fun to put the odd film through my old friend but agree it is not good for serious photography compared with D500 and D850 there is no contest. I was glad to sell the Hasslblads (at that time when other photographers were very cautious about digital I got serious money for all my Hasselblad kit) as soon as I knew that D1X was good enough for 90% of my work. For a time for studio photography and big blow-ups I kept using my 4x5 Sinar with transp film but the D3X saw that go.



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Posted: Tue Aug 18th, 2020 08:21
 
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Eric



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Graham Whistler wrote:
I agree with all that but it took two years hard savings to purchase that Rolleiflex and I took many of my early professional pixs with it until I could afford a Hasselblad. It is just a bit of fun to put the odd film through my old friend but agree it is not good for serious photography compared with D500 and D850 there is no contest. I was glad to sell the Hasslblads (at that time when other photographers were very cautious about digital I got serious money for all my Hasselblad kit) as soon as I knew that D1X was good enough for 90% of my work. For a time for studio photography and big blow-ups I kept using my 4x5 Sinar with transp film but the D3X saw that go.
Yes I can understand that. When you look back at the equipment we bought, that was needed to be self sufficient in business, it's quite scarey.

Professional film and flatbed scanners 🤯
I think my first serious flatbed scanner cost £8000. 3 years later they were £800. But the alternative at the time was a £100,000 drum scanner. 😱😱😱😱. I

I bought a Freestanding CD writer, one of the first of its kind, back in 1995 to transfer artwork to repro houses and later printers. It was a monster more like an old VHS video player 😆 . It cost £1500 and within 3 years they were selling them integral with PCs for £350. Fortunately mine had coffee spilt in it and faced with sending back to Germany to try to repair it (it went for a trip round UK electrical repairers first) the insurers gave me £1300 back ....went and bought a £350 version for my PC . 😎

I also remember writable CDs were £11 each when they came out ...of course that went on every job. 😆 

There I go reminiscing .....maybe my nostalgia gene is awakening.



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Posted: Tue Aug 18th, 2020 08:48
 
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chrisbet



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That is exactly why I never go for leading edge equipment, buy it when it has started to flatten out in value and then use it till it dies....



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Posted: Tue Aug 18th, 2020 09:47
 
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Iain



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The cost of kit in that in-between period of film/digital was crazy. If i remember right my Nikon neg scanner was £3000.

 




Posted: Tue Aug 18th, 2020 11:03
 
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Eric



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I take it back....it seems prepress flatbeds are still mega bucks. Still half what I had to pay in 1996. :needsahug:

http://www.microtek-scanners.co.uk/shop/artixscan-3200xl/



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Posted: Fri Aug 21st, 2020 09:10
 
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Graham Whistler



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For a bit of fun this is a 1960 of myself then a 20 yr old photo student with the same camera new that year!

Click here to comment on this image.



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Posted: Fri Aug 21st, 2020 09:14
 
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Graham Whistler



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And here is a studio portrait of one of my then Kodak bosses using the camera with Mole Richard studio spotlights, no electronic studio flash then. I have just scanned the neg and it would have been 120 PluX 100 ISO dev D76 very little grain!

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Posted: Fri Aug 21st, 2020 12:19
 
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Graham Whistler



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Ian one for you showing how good grain was even in 1960 this was Kodak Vericrome Pan 100 ISO dev Kodak D76 My Rollieflex again.

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Posted: Fri Aug 21st, 2020 12:22
 
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Graham Whistler



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London in 1960  Rollieflex 3.5F Zeiss Planar Lens and Vericome Pan 100 ISA or should say ASA! 

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Posted: Fri Aug 21st, 2020 12:42
 
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Graham Whistler



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Just to compare quality in 1960 this is a portrait of my uncle Mr FWM Pratt MS FRCS taken by me for The Royal College Surgeons in the Kodak studio again with a 8x10 inch Kodak studio camera with a 14 inch lens and P1600 Glass Plate!!! 

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